Additional articles and book reviews
Edition - June, 2014
A very warm welcome to Edition 10 of the Magazine. First, it is with enormous pleasure that we welcome back Brian Alm to the Magazine. Brian has penned a new series for Egyptological: “Read Like an Egyptian” — Art in Ancient Egypt. In Part 1 Brian begins with how art should be defined in the […]
Probably only one percent of the ancient Egyptians were literate, and those literate few were royalty, nobility, upper-crust managers and administrators, at least some of the top military people, full-time priests and scribes. But many people could “read” what they were seeing, and understand it without knowing how to read hieroglyphs. The ideas and symbolic iconography were grounded in their culture; the art spoke to them even if their knowledge of the written text was, for the vast majority of the public, rudimentary at best — no doubt limited to a few basic glyphs.
By Brian Alm
In March 2014, Dr Garry Shaw’s new book was published in hardback. The Egyptian Myths: A Guide to Ancient Gods and Legends is Dr Shaw’s third sole-authored book, and his second aimed at the general public. An introductory guide to ancient Egypt’s myths, it does not duplicate existing books, offering instead a different way of approaching the central beliefs that made up Egypt’s formal religion. In this interview Dr Shaw discusses both his book and future projects. The questions were contributed by a number of readers, both from Egyptological and from Egyptological’s Facebook page, for which many thanks.
In the Western world the cobra rarely inspires sentiments of benevolence, warmth or good intentions. It is not a cuddly beast. Matters were more ambivalent in ancient Egypt where a range of wild animals were identified with deities imbued with admired values of physical strength, protection and courage, as well as less obviously admirable qualities like aggression, retribution, vengeance and retaliation. Like Sobek, the crocodile deity, and Sekhmet the lioness, the cobra deities comprised a mixture of attributes that centred on their fierce ability to defend themselves and to strike, hissing and spitting poison, to annihilate their aggressors.
It is now some while since Zahi Hawass was finally ousted from office as Secretary General of the Supreme Council of Antiquities, following the fall of the Mubarak government in 2011; but his absolute ubiquity on TV programmes concerning ancient Egypt prior to that date (and the fact that these are repeated endlessly on various satellite/cable and terrestrial channels) means that there is little chance of any reader being unaware of his ebullient and bombastic presence. That presence is now reduced to occasional lectures about his former exploits, and adding to the series of published books that bear his name – of which this is the latest.
By Andrea Byrnes. Published in Egyptological, Magazine Reviews. 16th June 2014 Ancient Lives. New Discoveries British Museum Exhibition dates: 22nd May – 30th November 2014 Sponsored by Julius Baer; Technology Partner – Samsung When I arrived home after visiting and enjoying Ancient Lives, I found that a friend who has also visited the […]
William Joseph Harding-King was educated at Trinity College, Cambridge. His first journey into the Sahara took place in 1900, after which he published his book In Search of the Masked Tawareks. He returned to the Sahara again in 1908 and then again between 1909 to 1912. His contributions to a number of journals represented a significant contribution of knowledge to desert studies and he was awarded the Gill Memorial Memorial Medal by the Royal Geographical Society in 1919. Mysteries of the Libyan Desert was considered to be his most important book.
A very warm welcome to the new edition of Egyptological. After a rocky few months following the damage that professional hackers inflicted on Egyptological, we have moved the site to a new host and are very pleased to be back. This is our first new edition since April, so we are delighted to be able […]
Is it a futile activity to ask, as I do in this series of articles, “What is The Significance of the Crossed-Arm Pose?” It might be argued, for instance, that variations in the pose at death exhibited by royal mummies simply reflect what embalmers decided to do on the day, or at least the customary practice of a particular undertaker. Similarly, it might be argued that each individual anthropoid coffin might be expected to reveal some unique design characteristic, and that no significance should be attached to the specific hand/arm pose depicted on the lid.
In part 1 I looked at how Marianne Brocklehurst acquired a collection of some 500 Ancient Egyptian objects during the three trips to Egypt that she records in her diary, cartoons, sketches and watercolours. In this section I look at the museum and the collection that Marianne and her brother Francis built for the benefit of the residents of Macclesfield in northwest England.