A Context for Nehmes-Bastet (KV64): A Birds Eye View of the Early Third Intermediate Period – Part 1
In January 2012, thanks to the discovery of a new tomb in the Valley of the Kings, named KV64, the 22nd Dynasty was catapulted into the spotlight. At the moment, apart from a couple of tantalising photographs and a video released by the University of Basel (Switzerland) all we know is that the mummified woman was called Nehmes-Bastet; she was a chantress; and her father was a priest at the Temple of Karnak
A Context for Nehmes-Bastet (KV64): A Birds Eye View of the Early Third Intermediate Period – Part 2
In Part 1 the political background to and development of the Third Intermediate Period was described, emphasizing the way in which power became divided, both within the Delta and between the Delta and the south, where the Theban high priests became increasingly powerful. Part 2 looks at the blending of Libyan and Egyptian traditions, with new ideas expressed in funerary practices and in the role of religious institutions.
Lecture Review: The re-excavation of the tomb of Horemheb in the Valley of the Kings by Professor Geoffrey Martin
Professor Martin is currently engaged in assembling the results of his work re-excavating the tomb of Horemheb for publication, and it became clear from his lecture that this work is long overdue and will be welcomed by the academic community. Martin described re-excavation as a new type of archaeology, geared specifically to finding information that previous excavators may have missed. He cited Kemp’s work at Amarna as an example of this.
Edition - January, 2012
This brief article was written on 15th January when the discovery of Tomb KV64 in the Valley of the Kings was formally announced. Please refer to the Addendum of 18th January for the latest news, which also corrects some of the orginal report. The tomb was announced in Luxor by Mansour Boraik in Luxor and […]
O45.1: An Ancient Industrial Estate Review by Kate Phizackerley. Published on Egyptological, Magazine Reviews, Edition 3, 7th December 2011 Introduction As described in the overview of the 2011 AWT Conference which I co-authored with Andrea Byrnes (see bottom of this review), Dr Paul Nicholson spoke about his excavation of the Amarna site designated O45.1, which […]
Review by Kate Phizackerley. Published on Egyptological, Magazine Reviews, 7th December 2011 (Edition 3). Introduction Many people were looking forward to hearing Jo Marchant speak about the DNA tests undertaken by Drs Zink, Pusch et al, and she didn’t disappoint. She was an outstanding speaker. She opened her talk by describing DNA itself, a […]
In her article on Hatshepsut in the December 2011 edition of the Magazine, Barbara O’Neill mentions the deity Pakhet. The following introduces what little is known about this elusive deity. Pakhet was represented in the form of a woman with a lion’s head (figure 1- click to see the bigger image). She looks very like leonine representations of Sekhmet and Bastet and was often associated with them.
Review by Andrea Byrnes. Published on Egyptological, Magazine Reviews, 29th September 2011. AWT Conference 2011. House and Home at el-Amarna: some thoughts on domestic architecture by Dr Kate Spence Introduction Dr Kate Spence of the University of Cambridge introduced the audience to an area of the city of Amarna which formed an equivalent of […]
The 2011 Ancient World Tours Conference was held at UCL, London over the weekend of 3rd and 4th September and focused on Amarna. The authors attended and offer this overview of the conference. Over the next ten days or so, we shall also be publishing detailed reviews of about half of the sessions in the Magazine section of Egyptological (and will formally become part of the next edition).
One of the many fabulous items in the jewellery collection from the tomb of Tutankhamen is a breast ornament. A highly decorative piece in the form of a winged scarab, dating to around 1330 BCE, it is currently on display in the Egyptian Museum in Cairo (JE 61884; Burton Photo No. P1133; Carter No. 267d). Adorned with silver, semi-precious stones and glass paste, all set into gold, the eye-catching centrepiece is a semi-translucent green scarab. Remarkable for its beauty, the pectoral has the added interest of scientific and archaeological mysteries that have yet to be completely unraveled.